Sanke, Søgne

  • The cabin sits low among bare rock and pine, its solid wood cladding running from ground to ridge. Light falls flat across the panels, and the joints between the boards follow the slope of the roof.
  • The solid wood counter runs along the window, with open shelves beneath a stone worktop. Joints between the boards follow the grain, and outside light falls across the stove and sink.
  • The storage unit stands on a trestle construction of vertical uprights, holding a shelf, drawers and a built-in oven between them. Light from the room behind enters through a sliding door and meets the panelling in the depth of the frame.
  • The kitchen counter runs along the window, with open shelves and drawers beneath a dark worktop. Beside it stands the solid wood table and chairs, facing the rocky shoreline and sea.
  • The solid pine counter runs along the wall, with drawers and open shelving beneath a dark worktop. The grain in the drawer fronts follows the light from the windows above.
  • The kitchen counter rests on open trestles, with plates and a pot placed on the shelves below. The dark stone worktop meets the pale wooden fronts in a straight line.
  • The kitchen counter runs along the window, with open shelves holding plates and a pot between the frame-built understructures. The dark stone worktop meets the pale wooden legs without visible hardware.
  • The solid wood kitchen counter stands before a large window overlooking coastal rock and open water. The dark stone worktop meets the open shelving below, where plates and pots sit in full view.
  • The cabin sits low among the pine trees, its corrugated roof and solid wood panelling running from ground to ridge. The chimney rises against the sky, and the evening light casts a warm tone across the timber.
  • The kitchen counter runs along the window, with open shelves and drawer sections in solid wood beneath a dark worktop. Daylight falls across the fronts, bringing out the grain in the panels.
  • The solid wood shelving unit holds a bamboo steamer and a woven bowl on one of the shelves. The grain in the panel behind runs vertically, and a routed rail holds the drawers under the bottom shelf.
  • A drawer rests on exposed uprights beneath an open shelf, with no visible fittings. The grain runs along the panel behind it, and routed grips are cut into the drawer front.
  • A rocky headland drops toward a calm inlet, pine trees crowning the top. Evening light turns the stone warm orange, and the still water mirrors the colours in soft ripples.
  • A person sits forward in an open boat, hand resting on the throttle, with the cabin and rocky shore behind. The hull is white and smooth, its surface giving back a flat, even light.

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Every project starts with an idea. In this phase we clarify wishes, needs and level of ambition, and explore possibilities without obligation.

Through an early conversation we contribute experience, direction and professional perspectives that clarify the potential of the project. The aim is to give the idea a solid and realistic starting point for further work.